Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Thursday, 2 April 2009

Politicomics

Pro-Obama merchandise is the new anti-Bush merchandise. Anything that can have his face on it is now getting his face on it. Check out this series of "Barack-sploitation" videos (nice title there. It may be an obvious pun, but it also serves as a reminder of how Obama is frequently tied to mainstream concepts of blackness). Still, comic books are really exploiting Obama-mania. This is partly because comic book companies are usually quick to try and exploit popular fads anyway, and secondly because of the fact that it's made just oh so much juicier by the fact that Barack Obama is actually a self-confessed comic book fan. Check out this wikipedia page listing (some of) the comic books that feature Obama.

Supposedly, Obama's favourite comic book characters are Spider-Man and Conan. The Spider-Man connection has already been somewhat exploited to death. If you can (it doesn't work in Britain, the country that I live in), check out this clip from the Colbert Report where Stephen leaves out a copy of the Spider-Man/Barack Obama Marvel comic book, signed by both Colbert and current Marvel editor-in-chief Joe Quesada as "Obama bait". Still, the Conan the barbarian connection has been somewhat less utilised...

...Until now, that is.

Yes, that's Devil's Due Press' solicitation for some Barack comics that include Barack the Barbarian. I could spend hours unpacking all the ideas about black masculinity that the cover image presents (an unavoibale side-effect of combining the popular image of the president with the world's most famous Cimmerian, perhaps?), but I also want to point out that DDP have proved unable to resist the temptation to create a "Red Sarah" (a take on Red Sonja) variant cover that ties into all of the sexist "sexy Sarah Palin" nonsense that has surrounded Palin ever since she first stepped out onto the world stage. *Sigh*.


Does anyone else find her somewhat static and lifeless face in this image absolutely terrifying? That is some seriously not great comic art right there.

Still, on the positive side, it's good to be reminded that a certain other Sarah is still about.

Going back to the subject of Barack Obama and comics though, I just want to remind everyone about this Sinfest comic strip from November last year that posits Obama as the latest chapter in a history of black super-heroes (Black Lightning, Green Lantern and Steel). There's a nice pun on Washington DC/DC comics (no Marvel or other super-heroes are represented) and I like the fact that here, Obama isn't just standing in for some black superhero (honestly, non-comics fans, had you even heard of Black Lightning or Steel before just now?) but has in fact stepped into the role of the new Superman, a clear metaphor for a black man finally gaining the highest political office in the U.S. A black man is now finally a leader of heroes, not an also-ran.


I'm not a huge fan of the common Barack-Obama-as-a-superhero conceit, though. Like a lot of his fans, I'm worried about the man becoming lionised to some ridiculous extreme, which only feeds right wing concerns about Obama as some kind of vacuous celebrity/false prophet (Sinfest also dealt with the image of Barack as a rockstar ("Barackstar") here, amongst other instances). It's great to have a charismatic, popular individual in such an important political role, but still, a lot of the popular imagery surrounding Obama has that same aura of incredulity that those "Bush/Hitler: same old shit" t-shirts had. Cashing in on Obamania may just have the unfortunate side-effect of turning Obama merchandise into the twenty-first century equivalent of the Che Guevara t-shirt; which'd be a real shame.

Now, just so I don't end on too dour a note, let's remind ourselves of what would be on t-shirts everywhere had a certain other individual won the U.S. Preseidential election:

Monday, 23 February 2009

Buchanan angrifies up the blood

Shorter Pat Buchanan: "Hey, I heard somewhere that some black people live in ghettos and then shoot at each other. That means they're racist and pro-segregation, as they're separating themselves off from us blameless white folks, who have only ever tried to help them!"

Nobody puts themselves in a situation like that, dumbass! Black communities like that aren't like those gated, white-only communities you've heard about, they were formed under circumstances so entirely different that I'm genuinely shocked that I'm even having to type this sentence in order to try and explain something so patently obvious.

To me, Buchanan's way of thinking ultimately traces back to a very common conservative fallacy: the idea that people's social status is informed by their nature, not the other way around. Put in the very simplest terms possible: people are poor because they are bad, not bad because they are poor. In his worldview, the state of black people in America today is entirely the fault of black people not pulling themselves together and trying harder. This is such a completely myopic worldview that I barely know where to begin, and yet I see it everywhere. I talk to (totally abhorent) anti-feminist women who insist that sexism doesn't really exist and in actuality is just a complaint thrown out there by whinging women who don't try hard enough to be successful (they owe nothing to women's lib, I suppose). The very idea that there aren't innumerable social barriers to success is one based on total naivety.

People don't just wake up one day and decide to start a revolution (whether that be overthrowing Batista or busting up Sal's). Circumstances beyond these people's control squeeze them to the point where they explode and simply have to act out upon the system that's put them in the godawful position that they're in. Crime in the black community of contemporary America is so clearly a result, not a cause, of a legacy of second-class citizenship that is not even close to coming to an end (you know they're only just phasing out segregated prom nights in some Southern schools? Way to keep the rest of your country behind, South!).

Friday, 9 January 2009

As a child of a single-parent family, all I have to say is...

"Fuck off, Ann Coulter, just fuck off."

Falwell would be proud

Correction: the funniest two minutes of your week may just be the CDAC's top ten instances of Christian-bashing in America. Apparently, the fact that Barack Obama isn't a Christian (note: he is one!) actually qualifies as a veritable attack on Christianity itself! Fantastic stuff.

#1 is my favourite though. Oh those poor American Christians, so oppressed by the gays...

Sunday, 14 December 2008

Why So Hilarious?

Seeing as how I'm simultanesouly an American politics junkie, a comic book fan and a Christopher Nolan whore, I'm finding just so many things to love about this neatly satirical strip from Sinfest, which expertly mines some key imagery from The Dark Knight and uses it to some rather dazzling and hilarious effect, all in the space of a mere twenty panels.

I've been thinking this for years, but Sinfest-creator Tatsuya Ishida is freaking awesome.

Thursday, 4 December 2008

LGBT issues in 20th century/contemporary Unites States...

...presented in the form of a pair of musicals. Enjoy!*



See more Jack Black videos at Funny or Die


That "what else does the Bible say, Jesus?" cracks me up every time.

*but more importantly, learn!

Friday, 21 November 2008

Buffy the ubermensch

Ok, I just finished reading "Wolves at the Gate," the latest volume in the Buffy the Vampire Slayer "season eight" comic book series and it got me thinking.

The comics seem to be treading ground that is a lot closer to superhero terrority than what was dealt with on the show itself. I'm not saying that people are gearing up in capes and tights or anything, but the whole idea of Buffy leading a team of super-powered warriors is now looking a lot more like something out of a Wildstorm comic than it ever did back when the characters were three-dimensional and attending high school.

One of the weird things about this, though, is that these characters do have a background in something more "real." Something that seems tangible and three-dimensional, even if it essentially is just as fake. More importantly, the series did have its roots firmly grounded in reality - despite having its branches far above it - and ultimately was a series that was primarily about a group of young people growing up, not a bunch of people fighting monsters.

What I'm getting at, I suppose, is that all of this makes you think about the events of the comic somewhat differently than how you might otherwise be inclined to think. You see events that don't seem particularly out of place in superhero fiction and you find yourself looking at them through a somewhat more realist lens. Or perhaps I really can just never look at superhero fiction the same way again after it was pretty much thoroughly dissected in The Dark Knight.

As has been expressed before, though, there comes a point where you realise that the more realism you insert into the superhero genre, the more you simply serve to highlight the depths of absurdity that lie at the heart of that genre (and now, I suppose, I've given up on the idea that it's possible to not think about the Buffy comics as superhero comics, by value of their generic traits). Additionally, in things like The Dark Knight, you end up explicitly raising questions about what the real-world implications would be if people started acting the way that people like Batman do. If Batman really existed, would he be right to do what he did?

If we keep the realm of the superhero a completely fantastical one, then one could make the case that questions like this hardly matter. After all, questioning the morality and the political and polemical implications of superhero comics might become like pointing out that fairy tales - which are heavily based on themes of murder, child abuse and cannibalism - might be just a little bit violent (I'm no stranger to fairy tale studies, but there comes a point when one really is just pointing out the absurdly and harmlessly obvious). But still, when things are not only grounded in a certain degree of realism, and additionally, when the creators involved have explicitly said that they're approaching a piece of work with a specific political agenda, it becomes difficult to not think about things in real terms rather than as simply the way a particular genre simply is.

All of which brings me to my point about the Buffy comics, which is this: whilst I understood the basic message of the series, that Buffy was supposed to represent the "everygirl," and her gradual coming in to her own was supposed to represent the growing up processes of many girls and boys worldwide, how can one possibly apply that same message to a comic that instead seems to have at its centre the message of "these people are the ubermensch, so to them, the rules do not apply?" I mean, seriously, has anyone even checked to see what is going on in these comics? Buffy has set up an army of supergirls and goes around doing what she wants and answering to no-one, and all just because she has superstrength. I really hate to find myself siding with the villains of a series, who have pointed out much the same, but really, this is just absurd. I guess ultimately, any superhero fiction is like this in a way. To whom are the JLA accountable? Are they not equally a bunch of renegades who've placed themselves above the law? Why is it that Superman can do whatever the hell he wants, just because he can fly? It's questions like this that lead to things like Civil War being written.

But ultimately though, things like this only get considered when you decide to utilise that realist lens; when the veil of fantasy drops away. There's nothing wrong with thinking about the fiction you're consuming and questioning it's inherent morality, in fact it's something I highly recommend. However, I think there's a vast difference between Green Lantern fighting killer bugs in outer space and a 2D Sarah Michelle Gellar running a fascist society where the rules don't apply to those with superior physical abilities. When I look at a comic and can only see the real world impications and how stupid/scary they'd be, the comic is either being very clever or really is rather fundamentally flawed.* I really, honestly enjoyed Wolves at the Gate, but it still looks like I'm leaning towards the latter.

Plus, the added realism only makes me question the truly bizarre bits all the more. Would the series ever pull a giant Mecha-Dawn out of thin air?

Seriously though. GIANT. MECHA. DAWN. What the hell?

*I'd cite Millar's Wanted as a good example of the "Hey, look how scary this'd really be" thing done quite deliberately.

Monday, 17 November 2008

Carey vs Marcotte

Ok, I'm posting a lot of things in quick succession here, so I promise this'll be my last one for now. I just wanted to point out how weird it is that Pandagon, one of my favourite progressive blogs, have put a post up about Mariah Carey and her attitude to sex/marriage.

Now I'm not saying for a second that this sort of thing is innapropriate for a political blog, as even - in fact, often especially - pop culture is responsible for a lot of the prevailing attitudes that a society has, so I'm not for a second asking, as some of the commenters have, "why are you even bothering with this?" No, I'm bringing this up because I actually consider myself a not-so-closeted Mariah Carey fan.

Now, just a caveat, I swear that I do like other, better types of music too. Just a little bit of discretion, my favourite band in the whole wide world are the wonderful The Dresden Dolls (perhaps not better than Mariah Carey, dependent on one's personal taste). But what can I say? I suppose I just have a soft spot for polished pop-ballads performed by someone with an unmistakeable natural talent.

Still, sometimes I do wish that she would just keep her mouth shut when she's not singing, as otherwise I find myself doing ever more complex feats of cognitive dissonance to keep myself liking her while a lot of her admitted ideas and politics are so transparently slightly backwards and/or stupid. Pandagon has just gone and underscored a great example of this.